Chapter 3 Centerpiece
Georgia's POV
The wedding preparations began with the precision of a corporate acquisition.
I watched my life being parceled into spreadsheets, my future traded like stocks. Each decision, florals, venue, guest list, meticulously arranged to maximize social return and not personal joy. My engagement had dissolved into a ledger of obligations, every line filled with someone else's handwriting.
This isn't a wedding. It's a business deal with cake.
My mother played the role of mastermind with terrifying efficiency, her eyes gleaming with the satisfaction of a woman who had finally found a problem she knew how to solve. She fixated on seating arrangements as if a misplaced socialite might tip the balance of the universe. She obsessed over imported orchids meant to symbolize purity, never mind that their fragrance made me nauseous, never mind that I told her so twice. When she sought my opinion it was perfunctory, the way you ask a child if they want the red cup or the blue one before handing them whatever is closest.
"It's about the statement we're making," she'd say, voice tight with barely restrained impatience whenever I suggested something that didn't fit her vision.
What statement, exactly? That I'm property? That I can be shaped to fit whatever box you need me in?
Josiah remained absent from the planning, as expected. When I tentatively broached the subject, some pathetic attempt to involve him, to make it feel less like a transaction, he waved me off without looking up from his phone.
"It's all taken care of, Georgia," he said, voice smooth and detached. "No need to stress over trivial things. Your parents know what they're doing."
Trivial things.
Something inside me cracked at those words, hairline fractures spreading through my chest like ice giving way beneath weight. My wedding. My life. Trivial.
The final dress fitting arrived on a Thursday that smelled like rain.
The boutique was on the fourteenth floor of a building that overlooked the city like a god overlooking something it had already grown bored of. The elevator opened directly into white space, white walls, white carpet, white light, the aesthetic of erasure. Three attendants moved around the anteroom with the hushed efficiency of people who understood that women like me didn't come here to feel things. We came here to be finished.
My mother sat in a cream chair with her legs crossed and her phone in her lap, performing the role of the satisfied matriarch. She had dressed for this appointment the way she dressed for board meetings, armor selected with intention. Her pearls were the good ones. I noticed because she only wore those when she needed to feel in control of something.
The seamstress, a small precise woman named Celeste who had said fewer than thirty words to me across four fittings, helped me step into the dress with the focused gravity of someone defusing something. And then her hands were everywhere at once, adjusting, pinning, smoothing, and I was not a woman being dressed but a surface being finished, a canvas receiving its final layer.
I stood on the raised platform and looked at the three-paneled mirror.
She was extraordinary. The dress was extraordinary. Handmade lace that had taken six weeks and four artisans to complete, layers of imported silk that moved like water and cost more than most people's cars. It nipped and curved and fell in all the right places, a masterwork of intention, designed to make whoever wore it look inevitable.
The woman wearing it had perfect posture and a face arranged into something serene and lovely and completely, utterly empty.
I stared at her.
Who are you?
She stared back. She didn't answer. She never did.
I had spent twenty-two years learning to construct her, this woman in the mirror. I knew exactly which muscles to hold, which angle to tilt my chin, which specific arrangement of features read as composed rather than dead inside. She was my finest achievement and my worst prison, and standing there in eighty thousand dollars worth of silk and lace, I understood that she was the only version of me anyone in that room had ever wanted.
Celeste murmured something about the hemline needing a quarter inch.
My mother looked up from her phone and made a sound of approval, the same sound she made when a canapé was correctly seasoned. Satisfied. Efficient. Moving on.
Say something, I thought. Say anything. Tell her you can't breathe in this dress. Tell her you can't breathe in this life. Tell her that you lie awake at three in the morning listening to the specific silence of a house that has never once felt like a home and you are so tired, so absolutely gutted with exhaustion, from performing okayness for people who need you to be okay so badly that your actual feelings have become an inconvenience you stopped inflicting on them years ago.
My mother looked up and caught my eye in the mirror.
For just a moment, one fractured second, something moved across her face. Something that wasn't satisfaction or strategy. Something that looked almost like grief.
"You look beautiful, Georgia," she said.
Her voice was soft. Almost gentle. Almost the voice of a woman who meant it as more than an observation about a dress.
I opened my mouth.
Celeste slid a pin into the fabric at my hip, and the small bright sting of it pulled me back, and the moment closed over itself like water over a stone, leaving no trace it had ever existed. My mother looked back down at her phone. I looked back at the woman in the mirror.
Don't, I told myself. She can't hold it. You know she can't hold it. You'll crack yourself open and she'll hand the pieces to father and father will hand them to Josiah and that's just one more thing that belongs to someone else now.
I swallowed it. All of it. Packed it back down into the place where I kept everything that wasn't allowed to exist out loud.
The guest list swelled with names I had never heard. Every seat a chess piece. Every alliance a transaction. No one invited for love.
I'm not the bride. I'm the centerpiece. The garnish on their feast of ambition.
As the date loomed closer the pressure constricted like a noose pulled by patient hands. My mother's pearls rattled against her collarbone as she twisted them between her fingers, her only tell, the only crack in her facade. My father's voice grew sharper, edged with the desperation of a man who could hear the ground crumbling beneath him and was pretending he couldn't.
The dress was flawless. It wasn't mine.
This entire process had become a costume, a script, a performance concealing something rotten beneath its gilded frame. No one was looking at me. They were looking at the empire, the dynasty, the currency that my presence guaranteed. My existence had been reduced to a line item in a grander strategy.
I had ceased being a person.
And I had no way out.
Soon, there won't be enough of me left to even want a way out.
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That mirror scene broke me a little writing it. Georgia is so close to cracking and so completely alone in that room full of people. Stay with her, loves. She's going to need you. -- J
