THE CURSED THRONE

THE CURSED THRONE

bintaawanehie · Ongoing · 62.6k Words

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Introduction

Liora Ashwyn never wanted a crown. She wanted to survive.
Raised in the shadow of a fallen village, Liora carries a secret she has spent her whole life hiding a forbidden magic that brands her a traitor in the eyes of the kingdom. When she is dragged into the royal palace as a hostage, she expects chains. What she does not expect is Prince Kael cold, brilliant, and hiding something far darker than she is.
The throne is cursed. The king is dying. And someone inside the palace walls is determined to make sure neither Liora nor Kael live long enough to find out why.
To save the kingdom she never belonged to, Liora must trust the one person she has every reason to hate. But trust in Vaelthorn is a luxury that gets people killed and love might cost even more than that.

Chapter 1

I had one rule.

Seven years. Every cold morning and hungry night and town that looked at me like I was either useful or trouble. One rule held through all of it like a spine holds a body upright.

Never use the magic.

I broke it for a child I had never met and would never see again.

Caldwen market was loud the way poor places are always loud not celebration, just survival compressed into a small space. Vendors arguing over prime spots. Buyers squeezing fruit they could not afford. Children darting between adult legs on errands or mischief, impossible to tell which. I moved through it with my head down and my hood up and the particular walk I had perfected over years purposeful enough that nobody questioned me, unremarkable enough that nobody remembered me afterward.

I was good at unremarkable. I had built my life around it.

My plan that morning was simple. Find work at one of the stalls carrying, loading, anything that paid before noon. Take whatever I earned to the grain seller on the far end of the market. Get enough to last three days. Move on before anyone looked at me long enough to start asking questions.

Simple plans were the only kind worth making. Complex ones had too many places to break.

I was negotiating with a cloth merchant who needed bolts moved from his cart to his stall when the screaming started. Not the regular kind of market screaming not argument or excitement or a pickpocket caught in the act. This was the kind that cuts through noise entirely and lands somewhere below your ribs before your mind has caught up with your ears.

A child's scream.

I turned.

Twenty feet away, a delivery horse had spooked at something a dog, a loud noise, I never found out what and reared hard enough to overturn the wagon it was hitched to. The wagon had been loaded high with iron goods. Tools, hardware, the heavy practical weight of metal packed badly for a short trip. It was going over slowly, the way disasters always move when you are watching them slower than physics should allow, like the world is giving you enough time to understand exactly what is about to happen and exactly how powerless you are to stop it.

A boy, maybe five years old, was directly in the path of it. He had tripped. He was on the ground, both hands flat on the cobblestones, looking up at the shadow falling toward him with an expression I will spend the rest of my life trying to forget.

The adults nearby were moving. Too slow. Too far.

I was not close either.

What I was, was desperate.

The magic came the way it always came when I could not hold it back not from my hands but from somewhere central, somewhere that predated every wall I had ever built around myself. It moved through me like a current finding the path of least resistance and it burst outward before I had finished forming the thought.

The wagon stopped.

Not slowly. Not gradually. It simply stopped, mid-fall, suspended in the space between disaster and aftermath. The iron goods shifted and settled inside it. The horse screamed and scrambled and found its footing. The boy on the ground stared upward with his mouth open.

I held it for three seconds. Long enough for a man nearby to grab the boy by the back of his shirt and drag him clear. Long enough for the horror in my chest to shift into something colder and more practical.

Then I let go and the wagon crashed down sideways, loud and final, and the market went completely silent.

In that silence, everyone who had been watching turned to find the source. That is how it works people do not see magic directly, but they feel the direction of it. Like wind. Like heat from a fire two rooms away.

Every face in that section of the market turned toward me.

I was already moving.

Running in a crowded market is not as fast as it sounds. Bodies everywhere, stalls on both sides, children underfoot and vendors stepping out to see what the noise was. I moved hard and low and took every turning I could find, peeling off layers of visibility as I went hood down so the shape of me changed, a scarf unwound and dropped, direction changed twice.

I had done this before. Not often, but enough to know the shape of it.

What I had not done before was run from soldiers who were already deployed in the market. Not chasing a rumor. Already there, already spreading out in a pattern that suggested they had been watching for exactly this kind of thing.

That was new. That was wrong.

I registered it a second too late.

The alley I turned into was a dead end. Not obviously it had the look of a through-passage, the kind of narrow cut-through that connected one market street to another. But twelve feet in it ended at a wall that had been recently bricked up, new mortar still pale against old stone.

I hit it with both palms and spun around.

Three soldiers at the alley entrance. The royal seal on their chest plates caught the light from the street behind them the Ashguard emblem, a flame inside a closed fist. The one in front was a woman, broad-shouldered, with the kind of face that had stopped registering other people's panic a long time ago.

"Magic user," she said. Not a question. An identification.

I said nothing. My back was against the bricked-up wall and my hands were at my sides and the magic was still moving under my skin like water that had been disturbed and had not yet settled. Using it again would confirm everything and give them justification for whatever came next.

Not using it meant I had nothing.

"Hands forward," the woman said.

I put my hands forward.

The shackles they used were iron threaded with something else a dull grey metal I did not recognise that made my wrists feel immediately heavy and strange. The magic did not vanish. But it moved differently, like trying to walk through deep water rather than air.

"Where are you taking me?" I asked.

The soldier looked at me with professional indifference. "Holding, first."

"And then?"

She did not answer that part.

The holding room was exactly what the name suggested. Stone bench. Stone floor. A door with no handle on the inside. A small grated window that showed a sliver of grey afternoon sky.

I sat and I thought and I found nothing useful to think.

This was the thing about running out of options people imagined it would feel dramatic. It did not. It felt like arithmetic. I added up what I had and it came to nothing. No money, no name, no connections, no documentation, no story that would survive scrutiny. I was a nobody who had done magic in front of forty witnesses in a city where magic meant death.

The arithmetic was not complicated.

I was looking at the sliver of sky through the grate and making my peace with the arithmetic when the door opened. The soldier who came in was different from the three who had caught me older, quieter, with armour that had more detail on it. Rank, I thought. Something above standard Ashguard.

He did not speak. He gestured for me to stand and then he waited with the patience of someone who had long ago stopped being in a hurry about anything.

I stood.

"Tell me where we're going this time," I said.

He considered the question seriously, which surprised me. "The palace," he said.

Every thought in my head stopped.

"Why?" I asked.

He was already moving toward the door. "Because someone there wants to see you."

The palace rose out of the city the way old power always does not as something built so much as something that had always been there, immovable, certain of itself in a way that made everything around it feel temporary. Dark stone. Towers that caught the failing afternoon light and gave nothing back. Gates that opened inward without visible mechanism.

They took me through a servants' entrance. Down corridors that turned and turned again. Past doors that were closed and windows that were shuttered. Everything stripped back to function. Nothing decorative. Nothing warm.

The room they put me in finally was different. Not comfortable exactly, but considered. A table. Chairs. Candles burning in iron holders. Tapestries that were old and faded but had clearly once been expensive.

A man stood near the window. Young not much older than me with dark hair and the kind of stillness that was not natural but learned. He had his back to me.

He did not turn when the soldiers left and the door closed.

The silence stretched.

I had nothing to fill it with so I stood inside it and waited and studied what I could see of him and tried to work out what kind of danger this was.

When he finally turned, his eyes moved over me once, quickly, and I understood immediately that the assessment was complete. Whatever conclusion he had drawn, he had drawn it in three seconds and filed it away somewhere I could not see.

"Sit down," he said.

"I would rather stand."

He looked at me. Something in his expression shifted barely, almost nothing and he pulled out the chair across the table and sat in it himself and gestured to the one opposite.

"Then stand," he said. "But we are going to talk for a while and you look like you have been on your feet all day."

I sat. Not because he told me to the first time. Because he was right.

"Your magic," he said. "The thing you did in the market. Has it always felt the same way?"

I looked at him steadily. "I don't know what you're referring to."

"Forty witnesses," he said. "Three Ashguard soldiers. A suspended wagon." He paused. "And the magical signature left on that cobblestone will be detectable for a week." Another pause. "I am Prince Kael Vaelthorn. I already know what you did. What I am asking is how it felt when you did it."

The name landed like a stone in still water.

I kept my face still. "Why does that matter?"

He leaned forward slightly, both hands flat on the table, and looked at me with an expression that was not threatening and was not kind and was something more unsettling than either direct. Genuinely direct. Like he had decided honesty was the most efficient tool available.

"Because the curse on this throne has a magical signature," he said quietly. "It has been documented in the palace archives for three generations. Scholars have studied it. No one has ever found its match in a living person." He stopped. "Until the Ashguard report from this morning landed on my desk."

The room was very still.

Outside, somewhere far away in the palace, something echoed footsteps, or a door, or something else entirely.

"Your magic matches the curse signature exactly," Kael said. "Which means one of two things. Either you were sent here deliberately by someone who understood what that meant." He held my gaze. "Or the curse has been reaching for you for a very long time, and today it finally found you."

My forearm was warm beneath the dampening shackles. The magic, still sluggish and strange, pressed against the inside of my skin like something that recognised where it was.

I did not want it to recognise anything.

"I was trying to save a child," I said. My voice came out steadier than I felt. "That is all I was doing."

"I believe you," he said.

And the worst part the part that sat in my chest like a coal and would not cool was that I almost believed him back.

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